COMMENT (unpublished):
"In the elaborate and sophisticated fused glass works of Roger Thomas, contradictory impulses meet and seemingly irreconcilable intentions co-exist. Committed to natural representation, he arranges his subjects with an eye to abstract order, seeking to emphasize and improve the designs inherent in their patterning. His goal, much like that of the Japanese Landscape artists he so admires, is to know nature so well that he can improve its resemblance to itself. At the same time, he will not conceal the presence of glass nor deny his chosen material a 'nature' of its own. In order to reach these contrary goals, Thomas needs a full palette of specific techniques, ways of manipulating glass that he regularly invents and assiduously seeks to employ. The test of each technique is that it leave no "brush stroke", no sign of the human hand. Thus nature and art are reconciled, as both are manipulated to the artist's purposes, yet each appears to remain itself, untouched." ___ Geoff Wichert,1992
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